The Huffington Post recently featured a story about my work on its front page and its arts & culture page.
Shooting Photos of Alleys and Ruins by J. Michael Welton
Portions of this post originally appeared at Architects and Artisans
Seeking solace and confronted with the possibility of life on the streets 20 years ago, Xavier Nuez did what any photographer might do:
“I was shooting a lot at night, and I walked down an area just to be alone,” he says. “I ended up where there’s no one - at the end of a dark alley at two in the morning.”
An art form was born.
Since then, he’s been taking 10- to 60-minute exposures with his Hasselblad camera, printing out rich, color-drenched eight-foot-by-ten-foot images of urban alleys from across the United States. He calls the series “Alleys and Ruins.”
“I already had an appreciation for run-down areas,” he says. “Everything there is not what you expect - there’s no ordered stuff like in the front of the building. There’s chaos in the back.”
Indeed. His images of Detroit, Chicago, New York and Los Angeles are particularly arresting, mostly because he’s able to find beauty and drama in abandoned and vandalized ugliness.
He’s inspired by the street photography of Robert Frank and Henri-Cartier Bresson, he says, and by their ability to photograph people as scenes unfolded in front of them.
“I’m trying to draw out the drama of these places, some of them rich in history,” he says. “I light them up in a very theatrical way, and view them as a theater set. I want people to imagine all the people who’ve come and gone there, and I always leave an area where you can step into the image, so the viewer can become part of the scene.”
He choreographs each shot carefully, lining up its exposure with his camera on a tripod while he walks around the scene, sculpting its lighting. Attired in a dark hoodie, he disappears in the long exposure. And there are added benefits:
“The black hoodie kind of doubles as a mugger deterrent,” he says. “If you could see the kinds of places I’m shooting, you’d see that there are lots of close encounters with gangs and people pointing guns at me.”
But Nuez doesn’t do it for the adrenaline rush; in fact, he’s trying to achieve just the opposite.
“I go to these places because I find them peaceful,” he says. “The sound of the city drops to a low murmur - and you have to be very quiet and still.”
In fact, he’s found a series of oases - where others might look the other way.
Chicago’s daily Spanish newspaper, Hoy, interviewed me and reviewed my show at the Instituto Cervantes in Chicago. It was my first ever Spanish interview! What took you so long?!
XAVIER NUEZ y su revalorización del “UNDERGROUND” by Delia Negro
The Cervantes show is finally winding down. It is my longest ever solo exhibit! The show opened April 18 and will end Sept 10. The 23 pieces in the show include three 8×10 foot pieces. Most of the exhibit is moving to Elmhurst College next.